"Bing was ... uneasy about the _proximity_ of the New York
City Opera,"
Briggs tells us in his history of the Met,
"whose performances would be taking place only _a few yards_ from
the Metropolitan's. "Suppose someone says,
'I heard a lousy opera at Lincoln Center last night,'
" Bing suggested. 'Maybe it was the _other_ house's opera, _or maybe it was ours. Under the *umbrella* of Lincoln Center, each of the two houses is _bound_ to be deprived of its individual image, and that is the most important asset an opera
house can have."
Briggs, "Requiem for a yellow-brick brewery" (p. 326).
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